Tuesday, August 31, 2021

Astronomy Domine

"Jupiter and Saturn, Oberon, Miranda and Titania

Neptune, Titan, stars can frighten." 

—Pink Floyd, "Astronomy Domine"

Discussions on crime fiction manga and anime generally tend to veer towards Detective Conan or the Kindaichi series, but there are several others that deserve their fair share of the spotlight as well. Motohiro Katou's Q.E.D. series (1997–2015) is an excellent case in point, often providing a refreshing alternative to the genre leaders, Conan and Kindaichi.

What these three series have in common is the type of protagonist—a prodigious boy detective put in a comically absurd situation. Detective Conan has high-school detective Shinichi Kudo shrink into a pint-sized primary-schooler who nevertheless retains much of the intellect of his older form. The Kindaichi series has Hajime Kindaichi, a happy-go-lucky school-going teenager who always manages to get sucked into life-threatening locked room mysteries and impossible crimes. Much in the same vein, Q.E.D. has Sou Touma, a 16-year-old M. I. T.-graduate who left behind his thesis work to come to Japan and experience life as a normal (but somewhat aloof) high-school student. Unfortunately for him, he is often bullied into solving cases by his outgoing friend, Kana Mizuhara, the daughter of a local police officer who also jokingly backs up her 'threats' with a show of her immense strength and rather violent tendencies.

While the choice of such protagonists (for these serious, exemplary mystery works) may seem quite strange for an outside reader, teenage/boy detectives have been a popular phenomena in Japan ever since the time of Edogawa Rampo's Shōnen Tantei-dan. Seen in this light, it makes sense for mangakas to rely on such a tried-and-tested trope to boost visibility, while the fantastic (one may say, scarcely credible) situations these youngsters are put in go on to lure in more readers. Another important reason for such a choice of protagonist is the fact that these series fall under the shounen manga bracket whose main audience consists of young teenagers in middle or high school—the reason why manga artists and creators may feel the need to make their main characters relatable to a young readership.

The cover for Q. E. D. volume 3

Be that as it may, this is probably the only similarity between Q.E.D. and its companions. Q.E.D. fundamentally differs from its competition in the puzzles it presents and the way in which it approaches mystery storytelling. For one, it is very much focused on science and philosophy—especially the more complex and obscure concepts (hey, Touma's M. I. T. credentials can't just be for nothing!)—and both the scientific and philosophical elements are often central to the story, plot-wise or thematically. They are used for comic effects as well—and the sight of Touma (on multiple occasions) trying to explain complicated theories, in the simplest of ways, to a lazy Mizuhara who happens to be extremely curious and then refuses to see the point of it all deserves more than a single chuckle. Many of the stories are grounded in history, archaeology, astronomy and other specialised fields of knowledge, giving Katou the opportunity to provide his theories on contentious, long-debated topics. In this respect, it superficially resembles Master Keaton (given the gamut of esoteric subjects both of the works explore), but then again, the way Q. E. D. approaches its matter is very different from the treatment dished out in Master Keaton.

Each volume of Q. E. D. consists of two complete stories with nothing spilling over to another volume. What this effectively ensures is that the stories are much more compact than those in Detective Conan or the Kindaichi series (which usually devote 6 to 10 chapters for a particular mystery). Q. E. D. strikes a fine balance between comic storytelling and portraying scenes with adequate gravitas and pathos as and when the situation demands. There's a light, airy feel to the narratives that also leaves room for character development, which is in sharp contrast to the heavy, overlaid and overbearing atmosphere of the Detective Conan and Kindaichi stories. At the same time, plot developments can pack quite the punch, resulting in stories one is not likely to forget soon.

I was drawn to Q. E. D. after reading the story called "The Fading of Star Map" in volume 3 of the series. For me, it still stands out as the quintessential Q. E. D. story showcasing the elements that make this series unique. On a remote, snow-capped mountain stands a lonely, abandoned star observatory. In its early days, it would have made for quite the sight, but sadly, its days are now numbered. Changing times and a new ski resort in its surroundings ensure that it will have to be demolished so that it poses no danger to skiing enthusiasts passing through the region. However, there's an issue—the founder of the observatory, Fukutaro Tsukishima, has been missing for 25 years. A state-appointed investigator therefore summons Tsukishima's existing relatives (his sons, a granddaughter and his brother-in-law) to figure out his legal successor and beneficiary, the one who will bear the expenses of the demolition.

Into this austere gathering steps in Touma and Mizuhara, both of whom got lost from their school-trip group at the resort in the midst of a blizzard. The curious visitors start exploring the observatory (which is shown to still be perfectly operational), when they suddenly stumble upon the charred, skeletal remains of a long-deceased person inside a gigantic telescope. The mysteries only multiply with conversations around the sketchy history of Tsukishima and his family (some even consider him to be his wife's murderer—a view that will later prove to have major ramifications). What really happened to Tsukishima? Did he really kill his wife? If not, how did she really die? What is the mystery behind the portrait of the dog found in the observatory? And if that isn't enough, add to this the murder of Tsukishima's brother-in-law, who is found hanging outside the bathroom window the following morning. Touma really has his task cut out for him this time around.

Boy, does he come up aces with the solutions to all the mysteries (present and past) and how! "The Fading of Star Map" is, at its heart, an extremely capable, tightly-plotted architectural mystery. As Touma explains, the directions of the wind at definite times of the day, the rotation of the upper part of the observatory corresponding to the movement of certain stars under watch and the rotation (in the opposite direction) of the telescope itself are integral to solving the mystery and also serve as tell-tale clues pinpointing the identity of the culprit. It can all be a bit too technical for some, but if ever there was a case where a patient, step-by-step, close reading and understanding rewarded readers handsomely, it is this one. 

The corpse in the telescope is discovered
The corpse in the telescope is discovered

But what really elevates this mystery is how the remaining clues (the dog portrait, for instance) and the information gleaned from the conversations and interactions between the characters tie into a neat whole to reveal a tragic backstory of astronomical proportions. The series of misunderstandings that lie at the heart of the murder cases, both present and past, are all cleverly foreshadowed. There is a scathing indictment of the lies that adults tell impressionable children, but what's really heartbreaking to notice is the misguiding effect it has on the culprit in this instance (one's heart goes out to them) that leads him to commit unforgivable acts separated by several years. In that respect, this is perhaps, one of those 'had-I-but-known' mysteries, but this time, the tragedy is that it is from the perspective of the murderer, in the sense that had they been aware of the deception by X individual, they would never have stooped so low to commit these deeds, nor would they have been driven to kill their own self at the end of it all.

It is perhaps fitting that "The Fading of Star Map" reminds me most of Keikichi Osaka's lighthouse stories in The Ginza Ghost, where the operation of the lighthouse and its scientific explanation are integral to solving the tragic events in both stories. And much like its illustrious predecessors, "The Fading of Star Map" is a worthy addition to the honkaku/shin honkaku hall of fame.

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